Best Wide Angle Lens For Canon M50
The Canon M50 is a great camera, especially if you are looking to get started with video. If you are looking for the best wide-angle lens for the Canon M50, then look no further.
There are a lot of wide-angle lenses available on the market today, and it can be difficult to find the right one for your needs and budget. You will need to decide which features you need, such as zoom or fixed focus, and whether or not you want to be able to use filters with your lens.
If you are on a budget, there are also many options available at lower prices that still offer good image quality and functionality. In this article, we take a look at some of the best wide-angle lenses for Canon M50 cameras.
All of these lenses have been carefully selected based on their performance in our tests as well as customer reviews so that you can make an informed decision about which one is right for your needs.
- Brand: Canon
- Lens Type: Zoom
- Compatible Mountings: Canon EF
- Camera Lens Description: 17
- Maximum Focal Length: 320 Millimeters
The Canon EF-M 55-200mm f/4.5-6.3 IS STM Lens is not a large lens by DSLR standards, but it is a relatively large one for an EOS M mount lens. Attached to the diminutive EOS M5, the size of this lens creates a significant size/weight mismatch that is noticeable. Though not huge, this Canon EF-M 55-200mm f/4.5-6.3 IS STM Lens is much larger than the typical EOS M lens, especially when zoomed out to 200mm.
This lens’ size does provide an advantage – a comfortably sized manual focus ring with just the right amount of resistance and a nicely sized zoom ring located at the front of the barrel rather than behind it (where it would be on an internal zooming lens).
The build quality of this lens is good and its design includes a metal mounting plate and glass-molded aspherical element. The mostly plastic barrel is smooth with a matte finish covering most surfaces and rubberized grips on the zoom and focus rings.
Like all STM lenses, this one focuses silently and smoothly with fast moving subjects being tracked accurately by the AM system in AF mode.
The Sigma 30mm 1.4 DC HSM Art lens is the first entry into Sigma’s new ‘Art’ class of Global Vision lenses. With outstanding build quality and exceptional sharpness, especially for the price, this lens is likely to find a home in many camera bags.
The first thing you’ll notice about the Sigma 30mm 1.4 DC HSM Art lens is its size. This is not a small lens and it is noticeably larger than most 50mm f/1.4 lenses on the market. On the other hand, it offers a much different focal length (45mm equivalent) and an extra stop of light gathering ability, so that should be considered as well.
It is also designed to be used on an APS-C sized sensor, which means that there is less glass to move around inside the barrel as compared with a full frame lens. The build quality of this lens is quite impressive.
The barrel of the lens is metal, not plastic like some, and the overall construction feels solid and durable. In fact, I’d go so far as to say that if you were going to use this lens primarily for video work, you could probably get away with it given its smooth manual focus ring.
- Brand: Sigma
- Lens Type: Standard
- Compatible Mountings: Canon EF-M
- Camera Lens Description: 16 mm
- Maximum Focal Length: 16 Millimeters
The Sigma 16mm f/1.4 DC DN Contemporary Lens is a high-performance, standard prime lens designed specifically for APS-C mirrorless cameras. It offers a focal length equivalent to 24mm in the 35mm format and is ideal for everyday photography. The lens has a bright f/1.4 aperture that excels in low-light conditions and provides shallow depth of field focus control.
The optical design incorporates three FLD (“F” Low Dispersion) elements, two SLD (Special Low Dispersion) elements, one aspherical element, as well as Super Multi-Layer Coating to help reduce chromatic aberrations and distortions throughout the aperture range as well as limit ghosting and flare when working in strong lighting conditions.
The lens also features stepping motor autofocus technology for quick and quiet focusing performance that suits both stills shooting and movie recording applications alike. Additionally, this lens is constructed using Thermally Stable Composite material for greater accuracy and reliability in changing environmental conditions as well as a weather-sealed construction to support its use in harsh climates.
The fast f/1.4 maximum aperture benefits working in difficult lighting conditions and also affords extensive control over depth of field for isolating subject matter.
The Canon EF-M 18-150mm f/3.5-6.3 IS STM delivers superb image quality and is the most versatile lens in the EF-M range. Covering an expansive zoom range of 8.3x, it’s perfect for shooting wide landscapes one moment and close up portraits the next.
The lens has a refined aluminium exterior, a metal mount and weighs just 380g – perfect for EOS M series users who want to travel light but still achieve outstanding results.
Capture sharp handheld shots with confidence thanks to 4 stops of built-in Image Stabilizer (IS). The IS system uses both a high-precision gyro sensor to detect blurring, and an accelerometer to differentiate between intentional camera movement and blurring caused by handshake or vibration.
This enables the lens to provide highly effective compensation for blur in every direction, including rotational motion that cannot be detected by traditional systems.
Covering an expansive zoom range of 8.3x, this lens is perfect for shooting wide landscapes one moment and close up portraits the next.
The Canon EF-S 18-55mm f/3.5-5.6 IS STM Lens from Canon is a standard zoom compatible with Canon APS-C format cameras. It features a focal length range of 18-55mm which is equivalent to 29-88mm in the 35mm format. Optical image stabilization is provided and the lens also features Canon’s STM stepping motor and a refined focus mechanism for smooth and continuous AF during video recording, as well as when shooting photos.
The optical design incorporates three aspherical elements to help reduce chromatic aberration throughout the zoom range and provide sharp, clear image quality. A Super Spectra coating has also been applied to lens elements to reduce flare and ghosting for increased contrast and color accuracy when working in harsh lighting conditions.
Two aspherical elements help to reduce spherical aberrations throughout the zoom range for improved sharpness, clarity, and color accuracy.
One UD element suppresses chromatic aberrations for increased clarity and color fidelity throughout the entire zoom range while also contributing to reduced vignetting.
A Super Spectra coating has been applied to individual elements to minimize lens flare and ghosting for greater contrast and color accuracy when working in strong lighting conditions.
- Brand: Sigma
- Lens Type: Telephoto
- Compatible Mountings: Canon EF
- Camera Lens Description: 105 millimetres
- Maximum Focal Length: 105 Millimeters
The Sigma 105mm f/2.8 EX DG OS HSM Macro Lens for Canon is a medium telephoto macro lens with Optical Stabilization built-in. The OS allows the use of shutter speeds approximately 4 stops slower than would otherwise be possible. This results in sharp, blur-free images, even in low-light situations. The OS also offers two modes – 1 standard mode and 1 mode optimized for panning.
The large f/2.8 aperture allows excellent low light capabilities and shallow depth of field control and the rounded 9 blade diaphragm creates an attractive blur to the out of focus areas of the image, pleasing to the eye.
This lens features a Hybrid Optical Stabilizer which gives you the benefits of both types of stabilization (Optical Stabilizer + Gyro Sensor). When you press the shutter button halfway, this lens detects camera shake and compensates for it. If you pan your camera as you shoot, this mode automatically switches off in response to panning and instead stabilizes only in vertical directions (two modes).
This lens has a minimum focusing distance of 12.3″ (31cm) throughout its entire focusing range and has a maximum magnification ratio of 1:1 at the closest focusing distance.
The Sigma 50mm F1.4 Art DG HSM Lens for Canon is the first entry into Sigma’s Art series of professional lenses, with an emphasis on artistic expression and the creative potential of the lens. With a bright 1.4 maximum aperture, floating inner focusing system, and Hyper Sonic Motor (HSM) you’ll have quick and accurate control over the artistic effects achieved by the lens’ high quality elements.
This large-diameter standard lens uses two SLD glass elements to compensate for chromatic aberration, which is particularly noticeable in telephoto lenses. It also employs super multi-layer coating that reduces flare and ghosting. These features help achieve superb image quality throughout the entire focusing range from infinity to close-up shooting down to 11 in. (28cm).
A large 1.4 aperture provides shallow depth of field focus control as well as excellent low light performance throughout the entire zoom range. AF speed and accuracy are further enhanced through Sigma’s use of a Hyper Sonic Motor (HSM). This ensures quiet, high speed autofocus as well as full time manual focus override in AF mode. In addition to its large aperture, this lens also offers close focusing distance at 11 inches (28cm) throughout its focal range.
The Canon EF-M 11-22mm f/4-5.6 IS STM is an extremely compact and lightweight wide-angle zoom lens for EOS M series digital cameras. It has a 35mm-equivalent focal length range of 18-35mm, covering wide-angle to normal perspectives to suit shooting in a variety of environments.
A seven-blade circular aperture contributes to a pleasing bokeh quality when employing selective focus techniques and the optical design incorporates two aspherical elements to reduce spherical aberrations and distortions throughout the zoom range for increased sharpness and accurate rendering. A Super Spectra coating has also been applied to lens elements to minimize lens flare and ghosting for greater contrast and color neutrality when working in strong lighting conditions.
Additionally, this lens also features an Optical Image Stabilizer, which compensates for up to four stops of camera shake for sharper handheld shooting with slower shutter speeds, as well as a STM stepping motor that provides fast, quiet autofocus performance that is especially beneficial when recording video.
The Canon EF-M 22mm f/2 STM is a very modestly-priced, fast, wide-angle lens for the Canon EOS M mirrorless camera. It’s an excellent choice for those needing a general purpose lens.
The EF-M 22mm has the same field of view as a 35mm lens on a full frame or 35mm film camera, giving it great versatility. You can shoot with this lens and get both wide-angle views as well as close-up portraits that show just enough environment to provide context.
The f/2 aperture lets you shoot in lower light, although you’ll need to either set the camera to a higher ISO sensitivity setting or use a tripod. The f/2 aperture also helps you get more background blur, helping your subject stand out from their surroundings.
The autofocus system is powered by a stepper motor (STM), which makes autofocus much quieter than what you’d get from an older micro motor and gives better results when shooting video.
The Sigma 50mm f/1.4 DG HSM Art Lens is a member of Sigma’s Art series of professional lenses, with an emphasis on artistic expression and the creative potential of the lens. With a large 1.4 aperture, the lens is ideal for low-light capture, and also provides shallow depth of field focus.
The lens’ Hyper Sonic Motor (HSM) ensures fast and quiet autofocus, which is further complemented by an optimized auto focus algorithm to produce a smoother focusing experience. A Super Multi-Layer Coating has been applied to elements in order to minimize lens flare and ghosting for maintained light transmission and high contrast.
A nine-blade rounded diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques. Additionally, “F” Low Dispersion (FLD) glass elements and Special Low Dispersion (SLD) glass elements have been incorporated into the optical design to reduce chromatic aberrations and color fringing for increased clarity and color accuracy.
An internal focusing system is used, where only the central group of elements move to adjust focus, which contributes to faster performance throughout the focus range as well as reduced size and weight.