Best Wide Angle Lens For Canon 5D Mark IV
Canon 5D Mark IV is a great camera, but if you want to get the most out of your photos it’s important to choose the right lens. The standard zoom lens that comes with the Canon 5D Mark IV is excellent and lets you capture a wide variety of subjects with ease.
However, there are occasions when you need to get closer to your subject and that is where a telephoto lens comes into play. The Canon 5D Mark IV is a highly capable video camera, offering DCI 4K capture at 30 fps and 150 Mbps, as well as Full HD 1080p capture at 60 fps and 12800 ISO.
It also has Dual Pixel CMOS AF for smooth, fast autofocus while shooting video, as well as during Live View stills capture.
The Canon EF 50mm f/1.2L USM is a peerless standard lens for portraits, low-light photography, and just about any other application where superlative imaging performance and fast, quiet autofocus are paramount.
It features an ultra-large maximum aperture of f/1.2 that produces shallow depth of field and beautiful background blur so loved by photographers everywhere. It’s highly resistant to dust and water droplets and has a fluorine coating on the front element that repels dirt and smudges.
The EF 50mm f/1.2L USM is an L-series lens, which means that it’s been tested to rigorous professional standards. Its robust construction includes weather sealing, while a ring-type USM means autofocus is both lightning-fast and near-silent.
This lens is great for portraits, street photography, and general photography where the low-light performance or narrow depth of field is required. It has a 72mm filter size, meaning that you can use filters to enhance or change the image that is produced by this lens.
- Brand: Canon
- Lens Type: Telephoto
- Compatible Mountings: Canon EF
- Camera Lens Description: 7
- Maximum Focal Length: 50 Millimeters
The Canon EF 50mm f/1.4 USM Standard & Medium Telephoto Lens is a great value for the money. For less than $400 you can get a top-quality lens that allows you to shoot in low light conditions, produce beautiful bokeh, and take crisp photos.
This lens produces photos that are sharp from corner to corner with no vignetting or distortion. It’s also lightweight and small enough to carry around all day without much weight or bulk.
The lens is fully compatible with all Canon EOS SLRs, including digital models. It has a maximum aperture of f/1.4 and a minimum aperture of f/22. It has a 6-blade diaphragm and focuses down to 1.5 feet (0.45 m).
The minimum focusing distance depends on the camera being used: it’s closer with cameras that have a crop factor of 1.3x or 1.6x than with 35 mm film cameras, for example.
The lens uses 58mm filters (the same size as the Canon EF 50mm f/1.8 II and EF 50mm f/2.5 Compact Macro lenses, but the reverse threads). The 72 mm filter size of the Canon EF 50mm f/1.2 L USM is more conveniently sized, however, smaller filters are cheaper and easier to find in any given size.
The Canon EF 100mm f/2.8L IS USM Macro Lens is the first mid-telephoto macro lens to include Canon’s sophisticated Image Stabilization. With the highest quality optics available, combined with near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter, the EF 100mm f/2.8L Macro IS USM is simply unrivaled.
The Hybrid Image Stabilizer technology in the new EF 100mm f/2.8L Macro IS USM lens provides up to four stops of correction at all focal lengths. This means you can now handhold your macro shots with slower shutter speeds, greatly expanding your range of artistic expression while virtually eliminating blur caused by camera shake.
Canon’s unique Micro UltraSonic Motor (USM) uses ultrasonic frequency vibrations to drive ultra-fast autofocusing with unrivaled accuracy and speed, whilst remaining near-silent – great for nature photography. The ring USM also enables full-time manual focus override for fine control, without having to switch out of AF mode.
The Canon EF 70-200mm f/2.8L IS III USM Lens is a premium telephoto zoom lens with a constant aperture of f/2.8, and the latest update to the iconic L-Series version III lenses. This lens delivers outstanding sharpness and contrasts even when shot wide-open. It is equipped with an improved four-stop Image Stabilizer, which helps to minimize camera shake, allowing you to capture sharp photographs in low-light situations.
The Canon EF 70-200mm f/2.8L IS III USM Lens features three image stabilization modes, including panning detection, for capturing stills or video with ease. Its ring-type ultrasonic motor offers fast and quiet autofocusing, while full-time manual focus override allows you to make fine adjustments after autofocus has been acquired. The fluorine coating on both the front and rear elements repels dust, moisture, and smears so that cleaning is faster and easier, even in harsh environments.
This lens features one fluorite element and five UD elements to help minimize chromatic aberrations throughout the zoom range for greater color accuracy, clarity, and contrast even at wide apertures.
Canon EF 50mm f/1.8 STM Lens is a standard lens featuring superb quality and portability. Its bright f/1.8 maximum aperture enables beautiful background blur and its horizontal angle of view is 46 degrees. Sharp images can be obtained over the entire focusing range from 1.15 feet (0.35m) to infinity.
In addition to having an improved minimum focusing distance of 1.15 feet (0.35 m), this lens uses a stepping motor for smooth and quiet continuous AF during video recording, plus full-time manual focus for added precision.
When used with the EOS Rebel T6s camera’s Movie Servo AF feature, simply touch the LCD monitor to initiate autofocus and pull focus when changing from different subjects or different distances within the scene, all while taking video.
The EF 50mm f/1.8 STM lens is also compatible with Canon’s optional movie electronic IS to help reduce blur caused by camera shake when shooting handheld videos in dimly lit conditions or when using longer telephoto focal lengths.
A shorter minimum focus distance of 1.15 ft./0.35m enables you to produce great images even when you’re up close to the subject. The new 7-blade circular aperture creates beautiful soft backgrounds, while Super Spectra coatings help keep images clear by reducing flare and ghosting.
The EF 85mm f/1.8 USM Medium Telephoto Lens from Canon is a highly practical medium telephoto prime lens with superb delineation and portability. Its fast f/1.8 maximum aperture is effective in low light and ideal for shallow depth of field focus control. With an angle of view similar to that of the human eye, it is exceptionally well suited to a wide range of subjects including portraits where it excels due to its pleasing out-of-focus highlights.
The use of internal focusing (IF) enables the lens to maintain a constant physical length while focusing, enhancing overall balance and ease of handling. The lens’ circular diaphragm creates beautiful, softly blurred backgrounds at wider apertures, while its ring-type ultra sonic monitor (USM) delivers silent but quick autofocus performance along with full-time manual focus override; even in AF mode, you can grab the focus ring at any time to make fine adjustments without having to switch out of AF mode first.
The 85mm f/1.4 L USM is the first lens in Canon’s new L-series of lenses, with Canon’s new IS (Image Stabilization) technology, and a large f/1.4 maximum aperture which improves low-light shooting capabilities and produces beautiful bokeh.
The new L-series also features a GMo aspherical lens element to aid image quality and reduce aberration. The result is a fast, highly effective lens that delivers excellent image quality at all apertures, while also providing smooth, high-quality rendering throughout the entire zoom range.
The 85mm f/1.4 L USM is designed as a lightweight prime lens with a bright f/1.4 maximum aperture for shallow depth of field photography, wide landscapes, or portraits where shallow depth of field is desired.
The combination of an extremely fast f/1.4 aperture, coupled with Canon’s Image Stabilization for handheld shooting in low light conditions provides the photographer with superior control over their final image with minimal effort on their part – another advantage of this lens over its f/2 counterpart.
The Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens is designed to be a versatile telephoto zoom lens that covers all focal lengths from a wide-angle to a medium telephoto with a constant maximum aperture of f/4 – f/5.6. This lens has a rotating front ring and extendable petal hood which enables the user to adjust the focus distance to suit their shooting needs.
This lens features an image stabilizer, which minimizes camera shake while taking pictures, and three different types of switches: one for manual focus, another that switches between autofocus modes, and one which can toggle between the two autofocus modes. The AF switch is located on the side of the lens, near the zoom control ring.
The lens does not feature optical image stabilization so make sure you avoid using it in low light situations or during long exposures as it might affect your images. This lens does feature an AF motor that allows for fast and quiet auto-focusing at any speed. The focusing ring also has two detents for autofocus mode selection and focus distance can be adjusted by moving a lever towards or away from the subject depending on what you want to achieve.
The Rokinon 14mm Ultra-Wide-Angle f/2.8 IF ED UMC Lens is an excellent addition to any photographer’s collection, providing a 35mm-equivalent focal length of 21mm with dramatic results. Its fast f/2.8 maximum aperture is further beneficial to working in low-light conditions and also offers increased control over the depth of field for isolating subject matter using selective focus techniques.
Complementing the apt light-gathering capabilities, the optical design incorporates both extra-low dispersion glass and aspherical elements, which reduce chromatic and spherical aberrations for greater sharpness and accurate rendering. Internally focusing, a floating element system also benefits image quality when working with close-up subjects throughout the focusing range by maintaining consistent imaging performance.
A UMC coating has also been applied to individual elements to minimize lens flare and ghosting for improved contrast and color accuracy when working in strong lighting conditions. For more intuitive use, this lens incorporates a manual focus design that permits working with subjects as close as 11″ away, along with a focus confirmation chip to support the use of AF confirm on select camera bodies.
The Canon EF 70-300mm f/4-5.6 IS II USM Lens replaces the very popular Canon EF 70-300mm f/4-5.6 IS USM Lens. If you want to see how this lens compares to its predecessor, read on. Otherwise, I’ll get into the changes and improvements in this review. The primary addition to this lens is a brand new 5-stop image stabilization (IS) system (the previous generation had 4-stops).
This is a big deal for wildlife and sports shooters as effective shutter speeds can be extended by many stops – allowing either much faster shutter speeds for action stopping or lower ISO settings for better image quality.
It also helps in low light – such as shooting indoors with available light or creating smooth background blur at longer focal lengths when handholding the camera with the aperture wide open.
This lens also has a different optical design that includes an aspherical element and an ultra-low dispersion element in place of one of the previous generation’s two UD elements. These are improvements that make this lens sharper than its predecessor.