Best Ultra Wide Angle Lens For Canon Full Frame
Ultra-wide-angle lenses have even shorter focal lengths and therefore a wider angle of view. They’re typically used for capturing very large subjects at close range, such as sweeping landscapes, architectural facades, and interiors, such as church naves and cavernous rooms.
The downside to using ultra-wide-angle lenses is that they tend to introduce distortion to images. Objects close to the edges of the frame can appear unnaturally elongated and straight lines can appear curved. However, the best ultra-wide-angle lenses for Canon full-frame DSLRs can be used creatively to add impact to your images.
Most ultra-wide-angle lenses are prime lenses – that is, they don’t zoom in and out as standard zooms do. This is because the optics required to create such a short focal length are difficult to combine with a zoom mechanism. However, it’s possible to find a couple of ultra-wide zoom lenses in our best ultra-wide-angle lens round-up.
Here are our top picks of the best wide-angle lenses cameras if you’re looking for full-frame coverage.
The Tokina 100mm f/2.8 AT-X M100 AF PRO D Macro Lens is a macro lens that is capable of life-sized (1:1) reproduction at 11.8 inches (30 centimeters). Its multi-coating has been re-engineered to match the highly reflective silicon-based CCD and CMOS sensors in today’s digital SLR cameras.
It has a floating element design that moves two different lens groups in the optical path to different distances from the film or digital imaging plane, allowing for sharp images at both close and distant focusing distances.
This lens comes with the One-Touch Focus Clutch Mechanism, which allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. Also, this new feature allows for a much quicker transition time between the two focusing modes.
The AT-X 100 PRO D is a high-performance macro lens with a fast aperture designed for digital SLR cameras. This lens features Tokina’s exclusive One-touch Focus Clutch Mechanism which allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually.
Sigma’s 35mm f/1.4 DG DN Art Lens for Sony E-Mount is a well-priced wide-angle lens with a bright f/1.4 maximum aperture and is compatible with both full-frame and APS-C-format E-mount mirrorless cameras.
The bright f/1.4 maximum aperture pairs with an advanced optical construction that includes three SLD elements to help reduce chromatic aberrations and color fringing for improved clarity and color accuracy from edge to edge. Additionally, the lens sports Super Multi-Layer Coating, which suppresses flare and ghosting for enhanced contrast and color neutrality in strong lighting conditions.
The optical design incorporates one aspherical element to control spherical aberrations throughout the focus range for improved sharpness and also features a rounded 11-blade diaphragm for smooth bokeh quality when working with selective focus techniques.
Complementing the optics, the physical design of this lens has been updated to work with the smaller form factor of mirrorless cameras while still maintaining a large f/1.4 maximum aperture. A broad focus ring offers precise manual focusing control along with an AF/MF switch that allows you to quickly toggle between autofocus or manual focus options.
The Canon EF-S 24mm f/2.8 STM Lens is a wide-angle lens for Canon APS-C cameras (equivalent to 38mm on a full-frame camera). This focal length pairs well with the 1.6x crop factor of all Canon EOS DSLR cameras and offers a 35mm equivalent focal length of 38mm, making it useful for everyday shooting conditions, including interiors, landscapes, and portraits. The unique construction of the lens also makes it ultra-slim and lightweight, great for travel photography where weight can be an issue.
An STM stepping motor and optimized focus mechanism supports Canon’s Movie Servo AF to provide smooth and quiet continuous AF while capturing video with compatible cameras. This stepping motor also helps ensure fast and accurate autofocus when shooting stills. A seven-blade circular aperture delivers beautiful soft backgrounds and the Super Spectra coating helps ensure accurate color balance and minimal ghosting or flare.
The lens is constructed from eight elements in seven groups and has a minimum focusing distance of 0.5 ft./0.16m with a maximum magnification of x 0.27 at the telephoto end of the zoom range.
The Sigma 50-100 mm f/1.8 DC HSM Art Lens is the first zoom lens to achieve a maximum aperture of 1.8 throughout the zoom range and provides a 75-150mm focal length equivalence in 35mm format. This fast aperture offers greater control over the depth of field and benefits working in low-light conditions.
This lens features one FLD and three SLD glass elements which help to minimize color aberrations throughout the entire zoom range and provide for high image quality.
The optical design also includes special low dispersion glass elements to reduce chromatic aberrations and color fringing for increased clarity, sharpness, and color accuracy. A Super Multi-Layer Coating has been applied to lens elements to reduce flare and ghosting for improved contrast when working in strong lighting conditions.
A Hyper Sonic AF Motor (HSM) is incorporated into the lens design to produce quick, quiet, and accurate autofocus performance with a full-time manual focus override.
The Tamron SP 45mm f/1.8 Di VC USD Lens is a normal-length prime designed to provide a greatly exaggerated perspective when used with an APS-C-sized image sensor. The bright f/1.8 maximum aperture benefits working in low-light conditions and also affords extensive control over the depth of field for isolating subject matter.
A Super Performance (SP) series lens, this model utilizes specialized glass elements, including one high refractive index element and two extra refractive index elements, to suppress spherical aberrations and distortion to produce sharper imagery.
Additionally, both eBAND and BBAR coatings have been applied to suppress lens flare and ghosting for greater contrast and color neutrality when working in strong lighting conditions.
Complementing the imaging assets, this lens also sports a sophisticated optical image stabilization system that compensates for up to 3.5 stops of camera shake for sharper handheld shooting. Also, a USD AF motor is integrated into the lens design to provide quick and quiet autofocus performance as well as a full-time manual focus override for fine-tuned control.
Canon EF 16-35mm f/4L IS USM Lens is an EF mount L-series lens that offers superb performance in low-light situations. It has a large focal length range of 16-35mm, which is ideal for landscape and portrait photography or even just day-to-day shooting.
A constant f/4 aperture provides shallow depth of field and bright viewfinder image, and the four-stop Image Stabilizer technology steadies the images at up to four full shutter speeds slower than would otherwise be possible.
The lens also offers three aspherical elements, which help minimize spherical aberrations and distortion throughout the zoom range while improving image quality by reducing chromatic aberration.
Additionally, two UD (Ultra-low Dispersion) elements reduce color blurring around the edges of the subject, particularly at wide apertures. The 24mm wide-angle lens captures a broad scene. While a 35mm focal length allows you to shoot in tighter spaces or to get closer to your subject.
The Sigma 20mm F1.4 DG HSM is a fast prime wide-angle lens designed for full-frame cameras and available in Canon, Nikon and Sigma mounts. As part of Sigma’s Art series, it promises excellent optical quality and is well-suited to landscape, architecture and astrophotography as well as creative applications such as selective focus.
The Sigma 20mm F1.4 DG HSM is a big lens, but it’s not the biggest or heaviest in its class. It measures 90.7mm in diameter, 95.9mm from the mount, and weighs 985g on our scale – making it slightly smaller and lighter than the Canon EF 15mm f/2.8 Fisheye (90 x 115mm, 1040g).
Inside the barrel you’ll find 15 elements arranged in 11 groups with FLD (Fluorite Low Dispersion) glass elements to reduce chromatic aberration and SLD (Special Low Dispersion) elements to improve sharpness at wider apertures. The performance has been optimized for full-frame sensors but can also be used with APS-C models where it provides an effective focal length of 30mm.
The Tokina Opera 16-28mm f/2.8 FF Lens is the first full frame lens in Tokina’s Opera series, but it isn’t just an optical redesign – this lens has a new feature that is unique to Tokina: A Focus Clutch Mechanism. The Focus Clutch Mechanism allows photographers to quickly switch between AF and MF simply by sliding the focus ring forward for AF and backward toward the camera to focus manually.
The front of the lens is protected by a large petal-shaped lens hood.
3 Aspherical lenses, 1 glass molded Low Dispersion (SD) element and an aspherical P-MO element are designed to correct distortion and spherical aberrations on all full frame cameras as well as work with APS-C sensors with a smaller angle of view. By using these elements, this lens delivers high optical performance throughout the entire focal range with sharp images even wide open at f/2.8.
The Tokina Opera 16-28mm f/2.8 FF Lens is compatible with Nikon’s Vibration Reduction (VR) Image Stabilization system found in Nikon’s FX DSLR bodies, allowing it to provide up to 4 stops of image stabilization at shutter speeds.
The Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens from Canon is a wide-angle zoom lens for Canon APS-C format DSLRs. Optimized for video shooting, it features a stepping motor (STM) to offer smooth and quiet continuous AF during video recording, as well as when shooting photos.
Additionally, a refined image stabilization system provides up to four stops of correction for reduced blur caused by camera shake. The lens’ optical design includes one aspherical element, which helps to control spherical aberrations and distortions throughout the zoom range for improved sharpness and accurate rendering.
Additionally, it has a minimum focusing distance of 9.8″ / 24 cm at all zoom settings, and its seven-blade circular aperture produces an attractive out of focus quality when working with shallow depth of field techniques.
This lens is a lot of fun. It is extremely light and small, takes filters with no vignetting, and has great image quality. I would classify this as an “adventure” lens – great for hiking, biking, or just hanging out in your backyard. The additional flexibility that the wide angle offers makes it a lot of fun to use, and you’ll end up taking shots that you never would have taken before.
The Sigma 24-35mm F2 DG HSM Art lens is a really interesting piece of glass. It covers a common prime lens lineup, but it’s also one of Sigma’s most expensive lenses to date. The purpose of this lens is to capture images with the same high quality and performance as the company’s primes, but with the versatility of a zoom lens.
The key feature that sets the Sigma 24-35mm F2 DG HSM Art apart from the competition is its large diameter aspherical element, which is a relatively complicated element to manufacture and therefore very rare in less expensive lenses. The advantage of this lens is that it allows for a stunning level of brightness, despite being covered by an APS-C sized image circle.
While this isn’t quite on par with the best lenses in its class, it remains one of the best performers on Sigma’s line up for its price point.