Best Portrait Lens For Canon Rebel T6
If you’re looking to get into serious photography, you may be shopping for a new camera. One of the most popular brands on the market is Canon, and one of their best-selling models is the Canon Rebel T6. But with so many different lenses available for this model, how can you decide which is the best portrait lens for the Canon Rebel T6?
Lenses are the most important part of your photography arsenal, and finding the best ones to fit your needs can be a daunting task. It’s one of the most expensive purchases any photographer will ever make. Even a beginner photographer upgrading from the kit lens that was bundled with their camera will eventually have to decide which lens will best suit their shooting style.
Is the Canon Rebel T6 good for portraits?
The Canon Rebel T6 is a good camera. I would say it is not the best camera, but it is a good camera. If you are wanting to do portraits with this, you will need a good light source and some kind of editing software to make it look really good. Another thing is that you would want to do your portraits outside. Another thing you want to know is what kind of portrait you are looking to do. The Canon Rebel can do great portraits if you have the right mood and lighting for them.
The Canon Rebel T6 has an 18-megapixel sensor, so it’s pretty much standard as far as consumer DSLRs go. It has a lot of features, but when it comes down to it, all consumer DSLRs take good pictures and so you should really be focusing on what lenses you are using and how you are using them.
The lens that comes with the Canon Rebel T6 (the 18-55mm) will give you decent results, but if you plan on doing a lot of portrait work, then I would recommend upgrading to something closer to 50mm (or even shorter).
What lens should I buy for Canon Rebel T6?
If you’re serious about photography, you need to look at the lenses more than the camera body. Lenses are where most of the money is spent, and they can make a far bigger difference in your photos than a camera upgrade can.
Most kit lenses perform very well. The 18-55mm lens is actually a very good lens. The problem with it is that it’s a kit lens — it’s cheap, and it looks cheap. Even if it performs as well or better than many expensive lenses, people will assume that your photos aren’t that great because you don’t have “good glass.”
If you want to move beyond this lens and not spend a ton of money, I’d recommend looking for used Canon EF lenses. They’re usually priced much more reasonably than the EF-S lenses, which are made only for APS-C cameras like yours (the T6). Wide-angle lenses and fast zooms tend to be more expensive, but there are many inexpensive telephoto zoom lenses out there. 50mm primes are often inexpensive as well.
How do you take portraits on a Canon Rebel T6?
Set the camera to Portrait mode. Portrait mode is the icon that has a head and shoulders with a little mountain range in the background. This will give you a shallow depth of field, blurring out your background so that your subject stands out.
Use f/4 or f/5.6 if possible. Set your aperture to this setting for the best results in portrait photography. If you can’t go this low, don’t worry, just use the lowest aperture (largest number) your lens allows.
Set your ISO to 100 if possible. Lower ISOs are better than higher ISOs because they produce less image noise and allow you to take pictures in lower light settings without making them look grainy or blurry. If there’s plenty of light, don’t worry about ISO at all – just leave it on Auto and let the camera decide what’s best for the situation.
Try not to zoom unless absolutely necessary. A good lens should be able to get close enough to your subject without needing much zooming at all – try moving closer instead of zooming so that you don’t end up with a blurry or distorted photo!
If you must zoom: Try zooming in only when necessary and then zooming back out again once you’ve taken the picture.
What is the best lens size for portraits?
The answer to this question depends on the type of portraits that you are looking to achieve.
In general, a 50mm is the best lens for most types of portrait work. For example, at a distance of about 5 feet, it will produce a full-face image that is roughly 12×16 inches in size. This ratio is very close to the old standard of 8×10 inches and will work well for most purposes.
If you want to get closer to your subject and fill the frame with their face you will need to go with a shorter lens (i.e., 35mm or 24mm). In contrast, if you want a more environmental look and include much more of your subject’s surroundings in the background then you will need to go with a longer lens (i.e., 85mm or 105mm).
List of Best Portrait lens For Canon Rebel T6
If you are looking for a good portrait lens for your Canon Rebel T6, you have come to the right place. In this article, I will share with you the best portrait lens for Canon Rebel T6. These lenses will give you excellent results with superb sharpness and clarity.
A great portrait lens is one of the most important investments that a photographer can make. When it comes to photographing portraits, there are many factors that play into how well a lens performs. Some of these factors include:
- Color reproduction
- Bokeh (blurred background)
The EF 50mm f/1.8 STM Lens from Canon is a compact, normal length prime well-suited to everyday shooting. The 50mm focal length is perfect for portraits, action, and nighttime photography.
The fast f/1.8 maximum aperture benefits working in low-light conditions and also affords increased control over depth of field for isolating subject matter using selective focus techniques.
Designed to deliver sharp imagery, the optical design utilizes one aspherical element to control spherical aberrations and distortion in order to produce a high degree of clarity and image sharpness. A Super Spectra coating has also been applied to minimize lens flare and ghosting for greater contrast and color accuracy when working in strong lighting conditions.
Complementing the optics is an equally compact and lightweight lens housing that features a metal lens mount for rigidity and durability as well as a Micro Motor-type AF motor that delivers fast, smooth, and near-silent performance to benefit both stills shooting as well as movie recording. Additionally, a seven-blade circular diaphragm contributes to a pleasing bokeh quality.
The Canon EF-S 10-22mm f/3.5-4.5 USM Lens is a great lens for those looking for a wide-angle zoom. The lens provides an equivalent of 16-35mm and covers the needs of most photographers who need to capture images from ultra-wide to wide.
This lens has excellent optics and is one of the best lenses I have owned and used in terms of sharpness, autofocus speed, and build quality. The only downside is that it does not have an Image Stabilization system, but if you are using it on a camera with built-in stabilization then this problem is resolved.
The lens is relatively compact and lightweight when compared to similar lenses by other manufacturers, but at the same time feels quite solid and well constructed. If you are looking for a high-quality wide-angle zoom then I would highly recommend this lens.
- Focal Length Description:F=1.4
- Lens Type:Telephoto
- Compatible Mountings:Canon EF
- Camera Lens Description:85 millimeters
The Sigma 85mm 1.4 Art is a professional lens designed for full-frame cameras and will work with APS-C sensors with an effective increase in focal length. This lens has been designed with a focus on sophisticated optical performance and abundant expressive power. The Sigma 85mm 1.4 Art lens is the latest addition to the world-renowned Sigma Global Vision Line.
Using over 50 years of lens-making experience, particularly the knowledge gained from the 35mm 1.4 Art and its hypersonic motor (HSM) ensures fast and accurate autofocus along with full-time manual focus override. In addition, this lens features 9 rounded diaphragm blades which create beautiful bokeh. From the MFG:
The main concept of our Art line is to overcome the concepts of current lenses, to clarify the primary aspects of photographic expression, and to refine optical performance to the highest level – this is our intention with this Art line.
In order to make large aperture lenses that can capture images that are rich in descriptive power, it was necessary to pursue high optical performance using SLD (Special Low Dispersion) glass in order to obtain excellent correction for all types of aberrations and provide superlative image quality.
The EF 40mm f/2.8 STM Lens from Canon is a compact, normal-length prime well-suited for everyday shooting. The STM stepping motor produces near-silent, continuous Move Servo AF for movies and smooth AF for stills. The 40mm focal length has an angle of view equivalent to that of a 64mm lens on a full-frame camera, and the f/2.8 maximum aperture benefits working in low-light conditions. As an STM lens, it is also compatible with the Movie Servo AF feature on select EOS DSLRs for precise and near-silent focusing when shooting video footage.
Two aspherical elements help to minimize chromatic aberrations throughout the aperture range while providing increased sharpness and reduced distortion. A Super Spectra coating has been applied to lens elements to reduce lens flare and ghosting for improved contrast and color neutrality when working in strong lighting conditions. Additionally, the integrated Bayonet Mount Lens Hood helps to suppress flare by blocking stray light from entering the lens.
Its short minimum focusing distance of only 0.98 ft./0.30m means you can get up close to your subjects whether you’re shooting in the studio or out in the field. You can create images with beautiful background blur thanks to its circular 7-blade aperture design, which also helps deliver great looking video capture with smooth background blur.
- Lens Type:Standard
- Compatible Mountings:Canon EF-S
- Camera Lens Description:55 millimetres
- Maximum Focal Length:55
The Canon EF-S 18-55mm f/3.5-5.6 IS II Lens is a standard zoom lens featuring the smaller size image circle, designed exclusively for Canon cameras using the more compact APS-C sensor size. With 27-88mm equivalent focal length, it offers a wide-angle of view for everyday shooting situations.
The lens boasts Canon’s Optical Image Stabilizer technology and incorporates one aspherical lens element to minimize aberrations and produce an outstanding level of optical performance.
The lens is equipped with Canon’s Image Stabilization system, which provides up to four stops of correction against the effects of camera shake when handholding the lens in low light situations or when using a slow shutter speed. A convenient panning mode automatically detects when the camera is moving for smooth capture of moving subjects such as cars or athletes in action.
The lens features high-quality construction with an improved zoom torque adjustment ring, which allows easy setting of precise zoom framing by rotating the ring lightly.
- Lens Type:Wide Angle
- Compatible Mountings:Canon EF
- Camera Lens Description:8
- Maximum Focal Length:35 Millimeters
The Canon EF 35mm f/2 IS USM Lens is a well-rounded lens. It has an attractive wide aperture, high-quality optics, and outstanding performance. This lens is a great option for general purpose photography, including environmental portraits and wedding photography.
This lens replaces the original (non-“IS”) version of this lens. The “IS” stands for Image Stabilization – a feature that this lens has and its predecessor does not have. This feature is especially helpful in low-light situations and when handholding your camera at slow shutter speeds – giving you about 3 stops of assistance. In addition to being helpful for handheld shooting, it also helps reduce camera shake when using longer focal length lenses or teleconverters.
The 35mm focal length is approximately equivalent to 56mm on a full-frame body. This puts the 35 IS in the “normal” range of focal lengths, giving it about a 1 stop narrower angle of view than the 50mm lenses (and see the 50mm comparison table below). That one-stop difference means that the 35mm f/2 IS is approximately half as wide as the 50mm lens.
- Focal Length Description:50mm f/1.4
- Lens Type:Telephoto
- Compatible Mountings:Canon EF
- Camera Lens Description:50 mm
The Canon EF 50mm f/1.4 USM is a classic entry-level lens for enthusiasts and professionals. It’s very popular because it’s inexpensive, it’s small and light, and it’s extremely sharp.
Nearly every pro has the 50 f/1.4 on hand for the times when they need to shoot in low-light situations (or just want to isolate the subject from the background with beautiful bokeh).
It’s so popular that Canon makes two versions of this lens: one with an autofocus motor built into the lens itself (called USM) and one without (called non-USM). The lens we recommend here is the USM version because it focuses much faster than its non-USM counterpart.
But if you have an older camera body without a built-in focus motor, you’ll need to choose your camera body carefully. Most cameras made after 2006 will support AF with either version of this lens, while many older bodies will only support AF with the USM version, so check your camera manual or do some research before purchasing.
The Canon EF 50mm f/1.2 L USM Lens is a great “normal” lens for Canon EOS DSLRs. The 50 L has a very wide f/1.2 aperture with the ability to focus extremely close for a nice background blur effect (“bokeh”). The 50 L is also quite fast – it can autofocus in low light levels (f/1.2 allows twice as much light into the camera as an f/1.8 lens).
This is a lens you are going to want to use fully open (wide open) most of the time. As you stop this lens down, color fringing becomes increasingly obvious. This effect can be corrected in Photoshop, but this problem is somewhat annoying at times and affects the image quality of this lens significantly.
The Canon EF 50mm f/1.2 L USM Lens performs very well in low light and makes shooting in dimly lit conditions much easier by allowing for faster shutter speeds – which means sharper images, less camera blur, and less subject motion blur. The 50mm focal length makes this lens easy to get used to after using kit lenses for a while – especially when used on full-frame bodies.